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The domain name 'www.egyptiantheatre.com' uses the commercial generic top-level domain (.com); it also runs on subdomain 'www'. Count 15 characters in 'egyptiantheatre' split between six vowels and nine consonants. Splitting it apart reveals two words: egyptian, theatre. Average segment length settles at 7.5 characters. No strong language cues emerged from the frequency lists.

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Jay Kelly Is Noah Baumbach’s New Film Starring George Clooney and Adam Sandler
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DIRECTED BY NOAH BAUMBACH | ON NETFLIX DECEMBER 5

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HSTS header missing - vulnerable to protocol downgrade attacks

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MarkMonitor Inc.

EGYPTIANTHEATRE.COM

Abuse

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Cloudflare, Inc.

CLOUDFLARENET

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self.__next_f.push([1,"tor Nat Sharp (Jeremy Renner), best-selling author Lee Ross (Andrew Scott), and concert cellist Simone Vivane (Cailee Spaeny). After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott (Mila Kunis) to join forces with renowned detective Benoit Blanc to unravel a mystery that defies all logic. Academy Award-nominated filmmaker Rian Johnson writes and directs WAKE UP DEAD MAN: A KNIVES OUT MYSTERY, and assembles another all-star, award-winning cast.16:T7fd,\u003cp\u003e\u003ci\u003e\u003cstrong\u003ePost-film Q\u0026amp;A with filmmaker Rian Johnson on December 2 (moderated by Jason Reitman) at the 7PM Screening\u003c/strong\u003e\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ci\u003e\u003cstrong\u003eExtended pre-film Introduction with filmmaker Rian Johnson on December 3 at the 7 PM screening.\u003c/strong\u003e\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eBenoit Blanc (Daniel Craig) returns for his most dangerous case yet in the third and darkest chapter of Rian Johnson’s murder mystery opus. When young priest Jud Duplenticy (Josh O’Connor) is sent to assist charismatic firebrand Monsignor Jefferson Wicks (Josh Brolin), it’s clear that all is not well in the pews. Wicks’s modest-but-devoted flock includes devout church lady Martha Delacroix (Glenn Close), circumspect groundskeeper Samson Holt (Thomas Haden Church), tightly-wound lawyer Vera Draven, Esq. (Kerry Washington), aspiring politician Cy Draven (Daryl McCormack), town doctor Nat Sharp (Jeremy Renner), best-selling author Lee Ross (Andrew Scott), and concert cellist Simone Vivane (Cailee Spaeny). After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott (Mila Kunis) to join forces with renowned detective Benoit Blanc to unravel a mystery that defies all logic. Academy Award-nominated filmmaker Rian Johnson writes and directs \u003ci\u003e\u003cstrong\u003eWake Up Dead Man: A Knives Out Mystery\u003c/strong\u003e\u003c/i\u003e, and assembles another all-star, award-winning cast.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ci\u003eTicket holders will take home a limited editi"])

self.__next_f.push([1,"on, exclusive 35mm engagement mini-poster, while supplies last.\u003c/i\u003e\u003cbr\u003e\u0026nbsp;\u003cbr\u003e\u003cstrong\u003eWe are pleased to invite \u003c/strong\u003e\u003ci\u003e\u003cstrong\u003eAMPAS, SAG NOM COMM, BAFTA, PGA, DGA, WGA, ACE, ADG, ASC, CAS, CDG, CSA, MPEG, MPSE, SCL, VES\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e Guild Members: Members and a guest are allowed complimentary entry to any public screening of new release titles on a space-available basis, upon presentation of your membership card at the venue box office 30 minutes prior to showtime (advance reservations not available).\u003c/strong\u003e\u003c/p\u003e17:T50b,\u003cp\u003e\u003cstrong\u003ePost-film Q\u0026amp;A with Academy Award®-nominated filmmaker Rian Johnson, moderated by Jason Reitman.\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eBenoit Blanc (Daniel Craig) returns for his most dangerous case yet in the third and darkest chapter of Rian Johnson’s murder mystery opus. When young priest Jud Duplenticy (Josh O’Connor) is sent to assist charismatic firebrand Monsignor Jefferson Wicks (Josh Brolin), it’s clear that all is not well in the pews. Wicks’s modest-but-devoted flock includes devout church lady Martha Delacroix (Glenn Close), circumspect groundskeeper Samson Holt (Thomas Haden Church), tightly-wound lawyer Vera Draven, Esq. (Kerry Washington), aspiring politician Cy Draven (Daryl McCormack), town doctor Nat Sharp (Jeremy Renner), best-selling author Lee Ross (Andrew Scott), and concert cellist Simone Vivane (Cailee Spaeny). After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott (Mila Kunis) to join forces with renowned detective Benoit Blanc to unravel a mystery that defies all logic. Academy Award-nominated filmmaker Rian Johnson writes and directs \u003ci\u003e\u003cstrong\u003eWake Up Dead Man: A Knives Out Mystery,\u003c/strong\u003e\u003c/i\u003e and assembles another all-star, award-winning cast.\u003c/p\u003e18:T4ed,\u003cp\u003e\u003cstrong\u003eExtended pre-film introduction with two-time Academy Award®-nominated filmmaker Rian Johnson.\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eBenoit Blanc (Daniel Craig) returns for his most dangerous case yet in t"])

self.__next_f.push([1,"he third and darkest chapter of Rian Johnson’s murder mystery opus. When young priest Jud Duplenticy (Josh O’Connor) is sent to assist charismatic firebrand Monsignor Jefferson Wicks (Josh Brolin), it’s clear that all is not well in the pews. Wicks’s modest-but-devoted flock includes devout church lady Martha Delacroix (Glenn Close), circumspect groundskeeper Samson Holt (Thomas Haden Church), tightly-wound lawyer Vera Draven, Esq. (Kerry Washington), aspiring politician Cy Draven (Daryl McCormack), town doctor Nat Sharp (Jeremy Renner), best-selling author Lee Ross (Andrew Scott), and concert cellist Simone Vivane (Cailee Spaeny). After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott (Mila Kunis) to join forces with renowned detective Benoit Blanc to unravel a mystery that defies all logic. Academy Award-nominated filmmaker Rian Johnson writes and directs Wake Up Dead Man: A Knives Out Mystery, and assembles another all-star, award-winning cast.\u003c/p\u003e19:T130c,"])

self.__next_f.push([1,"\u003cp\u003e\u003cspan class=\"text-big\"\u003e\u003cstrong\u003eABOUT THE FESTIVAL:\u003c/strong\u003e\u003c/span\u003e\u003cbr\u003ePresented by Topcat Management and co-presented by sogbots and the American Cinematheque, LA’s Rich and Successful Film Festival (RSFF) is the fourth annual curated presentation of short films from the next generation of filmmakers. RSFF is a non-competitive space by and for LA-based filmmakers to introduce their work to new audiences, connect with industry mainstays, and shake hands with future collaborators. The lineup includes 13 short films across genres, all helmed by LA-based filmmakers.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eThis year’s festival is curated by a unique jury comprising alumni filmmakers, junior executives, and seasoned programmers. The jury includes Festival Directors Page Brady, Nir Liebenthal, Noah Morse, Jeremy Roth-Rose, Dylan Trupiano, Filmmaker and RSFF alum Neal Suresh Mulani, Cool Girl Cinema Club founder and animation artist Sydney Mills, Director of Film \u0026amp; TV Development at SunHaus Saba Kinfe, Playgrounds Creative Executive Rachel Goldfinger, Producer and Executive Brett Robinson, and Imani Davis on behalf of the American Cinematheque.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cspan class=\"text-big\"\u003e\u003cstrong\u003eABOUT THE FILMS:\u003c/strong\u003e\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003e“Ben’s Sister,” 2025, Dir. Emma Weinswig, 18 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eA charismatic fuckboy must wrestle with his own toxic masculine tendencies when his Freshman sister becomes a pawn in his friend’s scheme to win their high school scavenger hunt.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e“The Dream Machine,” 2025, Dir. Jimmy Marble, 8 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eAfter the death of her beloved husband, a grieving widow chooses to participate in a technology that renders our deepest fantasies a reality.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e“Quaker,” 2025, Dir. Giovanna Molina, 16 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eDuring the last Quaker meeting of the year, Brooklyn high school seniors share their unfiltered feelings with each other.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e“Madonna Mia,” 2025, Dir. Valentina Garrett, 12 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eA Cumming Of Age Story. Set in a small catholic town in Italy, 15-year-old Gaia tries to navigate her sexual fantasies while completing her confirmation.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e“Boys,” 2025, Dir. Jacob Staudenmaier, 2 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eA fateful meeting between two opposing groups of dudes.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e“Learning English,” 2025, Dir. Jean Liu, 11 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eAn enthusiastic new arrival to the US seizes an unorthodox opportunity to practice her language skills.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e“Busy Bodies,” 2025, Dir. Kate Renshaw-Lewis, 5 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eA hand-drawn animation that combines inkjet and screen printing explores the undisclosed production journey of easily disposable objects.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e“Freak,” 2025, Dir. RJ Sanchez, 10 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eAngel, a teen in South LA circa 2006, has got a party predicament, to freak or not to freak.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e“Joey Earns Rewards Using the McDonald’s Mobile App \u0026amp; Megh and Clev Discuss Their Future Together,” 2025, Dir. Brad Roelandt, 11 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eCaptured in a single aerial take, Clev’s impulsive marriage proposal at a McDonald’s drive-thru is interrupted by a relentlessly upbeat customer.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e“My Wonderful Life,” 2025, Dir. Calleen Koh, 10 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eGrace Lee, an overworked mom in Singapore, collapses at work. She gets admitted into the hospital, where she finds newfound freedom as a patient.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e“Flavor of the Month,” 2025, Dir. Nathan Xia, 13 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eHarrison Huang is a B-list Chinese American actor who is up for the role of “Wushu Warrior,” the world’s first-ever AAPI-led superhero film. Things spiral when Harrison discovers that he has to screen test against a newcomer named Jimmy, who he fears will replace him as “Hollywood’s Asian.”\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e“Your Own Flavor,” 2025, Dir. Alisha Ketry, 11 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eAfter being stood up on a date, Renee is grateful to find solace in an unexpected friendship with one of the good guys: a seemingly harmless puppet named Chompers.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e“The Singers,” 2025, Dir. Sam Davis, 17 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eA genre-bending film adaptation of a 19th-century short story explores a lowly pub full of downtrodden men who connect unexpectedly through an impromptu sing-off.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e"])

self.__next_f.push([1,"1a:T575,\u003cp\u003e\u003cspan class=\"text-big\"\u003e\u003cstrong\u003eABOUT THE EVENT:\u003c/strong\u003e\u003c/span\u003e\u003cbr\u003e\u003ci\u003eThere will be a conversations with actor Ray Wise prior to Part 2 and with actor Dana Ashbrook prior to Part 4, with an intermission between Parts 2 and 3. Ticket includes entry to the entire marathon.\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cspan class=\"text-big\"\u003e\u003cstrong\u003eABOUT THE EPISODES:\u003c/strong\u003e\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003ePart 1, Dir. David Lynch, 60 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eMy log has a message for you.\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ePart 2, Dir. David Lynch, 54 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eThe stars turn and a time presents itself.\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ePart 3, Dir. David Lynch, 58 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eCall for help.\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ePart 4, Dir. David Lynch, 56 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e…brings back some memories.\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cspan class=\"text-big\"\u003e\u003cstrong\u003eABOUT THE SERIES:\u003c/strong\u003e\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eTWIN PEAKS: THE RETURN, 2017, Paramount, USA\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eDirected entirely by David Lynch, this 18-part limited event series picks up 25 years after the residents of a quaint northwestern American town were stunned when their homecoming queen, Laura Palmer, was shockingly murdered. TWIN PEAKS: THE RETURN is written and executive produced by series creators David Lynch and Mark Frost, and is executive produced by Sabrina S. Sutherland.\u003c/p\u003e1b:T905,"])

self.__next_f.push([1,"MY NEIGHBOR TOTORO, 86 Min\nIn Japanese with English subtitles. \nWhen Satsuki and her sister Mei move with their father to a new home in the countryside, they find country life is not as simple as it seems. They soon discover that the house and nearby woods are full of strange and delightful creatures, including a gigantic but gentle forest spirit called Totoro, who can only be seen by children. Totoro and his friends introduce the girls to a series of adventures, including a ride aboard the extraordinary Cat Bus.\n\nHOWL’S MOVING CASTLE, 119 Min\nIn Japanese with English subtitles. \nSophie, a quiet girl working in a hat shop, finds her life thrown into turmoil when she is literally swept off her feet by a handsome but mysterious wizard named Howl. The vain and vengeful Witch of the Waste, jealous of their friendship, puts a curse on Sophie and turns her into a 90-year-old woman. On a quest to break the spell, Sophie climbs aboard Howl’s magnificent moving castle and into a new life of wonder and adventure. But as the true power of Howl’s wizardry is revealed, Sophie finds herself fighting to protect them both from a dangerous war of sorcery that threatens their world.\n\nPRINCESS MONONOKE, 133 Min\nIn Japanese with English subtitles. \nInflicted with a deadly curse, the young warrior Ashitaka heads west in search of a cure. There, he stumbles into a bitter conflict between Lady Eboshi, the proud people of Iron Town, and the enigmatic Princess Mononoke, a young girl raised by wolves, who will stop at nothing to prevent the humans from destroying her home and the forest spirits and animal gods who live there.\n\nSPIRITED AWAY, 125 Min\nIn Japanese with English subtitles. \nChihiro’s family is moving to a new house, but when they stop on the way to explore an abandoned village, her parents undergo a mysterious transformation and Chihiro is whisked into a world of fantastic spirits ruled over by the sorceress Yubaba. Put to work in a magical bathhouse for spirits and demons, Chihiro must use all her wits to survive in this strange new place, find a way to free her parents and return to the normal world. Overflowing with imaginative creatures and thrilling storytelling, SPIRITED AWAY became a worldwide smash hit, and is one of the most critically-acclaimed films of all time.\n\n"])

self.__next_f.push([1,"ALICE IN THE CITIES, Dir. Wim Wenders\nIn German and English with English subtitles. \n\nTechnically, ALICE IN THE CITIES is Wim Wenders’s fourth film, but he often refers to it as his first, because it was during this film that he discovered the genre of the road movie. It was also his first film to be shot partly in the U.S. and the first to feature his alter ego, Philip Winter (Rüdiger Vogler). The German journalist Winter wants to write a story about America but is unable to accomplish anything but a series of Polaroids before disappointedly beginning his journey back home. In New York, he reluctantly agrees to take little Alice (Yella Rottländer) with him, because her mother (Lisa Kreuzer)—whom he meets on the day before his departure—has urgent business to take care of there. In Amsterdam, the mother then fails to appear as they agreed, so Winter and Alice set out to try to find Alice’s grandmother in the Ruhr region. During their search, their initial mutual dislike gradually transforms into a heartfelt affection.\n\nWRONG MOVE, Dir. Wim Wenders \nIn German with English subtitles. \n\nGlückstadt, in Northern Germany; Bonn; a palace along the Rhine; a housing project on the outskirts of Frankfurt; and finally the Zugspitze—these are the stations of the journey that the young Wilhelm Meister (Rüdiger Vogler) hopes will save him from the gloomy irritability and despondency that plague him in his hometown. In unfamiliar places, he thinks that he will be able to do what he has always had an uncontrollable drive to do—to write. He wants to become an author. With the journey, which his mother (Marianne Hoppe) gives him permission to make, he hopes to broaden his horizons and, above all, to find himself.\n\nKINGS OF THE ROAD, Dir. Wim Wenders\nIn German with English subtitles. \n\nKINGS OF THE ROAD is about a friendship between two men: Bruno (Rüdiger Vogler) who repairs film projectors and travels along the inner German border in his truck, and the psychologist Robert (Hanns Zischler) who is fleeing from his own past. When Robert drives his old Volkswagen straight into the Elbe River, he is fished out by Bruno. This is the beginning of their shared journey through a German no-man’s-land, a journey that leads them from the Lüneburg Heath to the Bavarian Forest. Wenders began the film without a script. Instead, there was a route that he had scouted out beforehand: through all of the little towns along the Wall that still contained a movie theater in this era of cinematic mass extinction. The old moving van with the film projectors in the back becomes a metaphor for the history of film—it is no coincidence that the film is dedicated to Fritz Lang. This “men’s story” also treats the themes of the absence of women, of loneliness, and of postwar Germany."])

self.__next_f.push([1,"1d:T6dd,\u003ch3 style=\"margin-left:0px;\"\u003e\u003cstrong\u003eABOUT THE EVENT:\u003c/strong\u003e\u003c/h3\u003e\u003cp\u003e\u003ci\u003eThere will be and intermission between Parts 6 and 7 and an extended intermission between Parts 8 and 9, with an introduction by actor and singer-songwriter Sky Ferreira prior to Part 9. Ticket includes entry to the entire marathon.\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003ch3 style=\"margin-left:0px;\"\u003e\u003cstrong\u003eABOUT THE EPISODES:\u003c/strong\u003e\u003c/h3\u003e\u003cp\u003e\u003cstrong\u003ePart 5, Dir. David Lynch, 58 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eCase files.\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ePart 6, Dir. David Lynch, 58 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eDon’t die.\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ePart 7, Dir. David Lynch, 57 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eThere’s a body all right.\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ePart 8, Dir. David Lynch, 58 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eGotta light?\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ePart 9, Dir. David Lynch, 58 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eThis is the chair.\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ePart 10, Dir. David Lynch, 53 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eLaura is the one.\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ePart 11, Dir. David Lynch, 57 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eThere’s fire where you are going.\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003ch3 style=\"margin-left:0px;\"\u003e\u003cstrong\u003eABOUT THE SERIES:\u003c/strong\u003e\u003c/h3\u003e\u003cp style=\"margin-left:0px;\"\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eTWIN PEAKS: THE RETURN, 2017, Paramount, USA\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eDirected entirely by David Lynch, this 18-part limited event series picks up 25 years after the residents of a quaint northwestern American town were stunned when their homecoming queen, Laura Palmer, was shockingly murdered. TWIN PEAKS: THE RETURN is written and executive produced by series creators David Lynch and Mark Frost, and is executive produced by Sabrina S. Sutherland.\u003c/p\u003e1e:T7a3,\u003ch3 style=\"margin-left:0px;\"\u003e\u003cstrong\u003eABOUT THE EVENT:\u003c/strong\u003e\u003c/h3\u003e\u003cp\u003e\u003ci\u003eThere will be an intermission between Parts 13 and 14 and an extended intermission between Parts 15 and 16, with a panel featuring executive producer Sabrina Sutherland, actor and singer Chrystabell, ed"])

self.__next_f.push([1,"itor Duwayne Dunham, casting director Johanna Ray, cinematographer Peter Deming and first assistant director Scott Cameron following Part 18. Ticket includes entry to the entire marathon.\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003ch3 style=\"margin-left:0px;\"\u003e\u003cstrong\u003eABOUT THE EPISODES:\u003c/strong\u003e\u003c/h3\u003e\u003cp\u003e\u003cstrong\u003ePart 12, Dir. David Lynch, 54 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eLet’s rock.\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ePart 13, Dir. David Lynch, 59 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eWhat story is that, Charlie?\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ePart 14, Dir. David Lynch, 56 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eWe are like the Dreamer.\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ePart 15, Dir. David Lynch, 55 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eThere’s some fear in letting go.\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ePart 16, Dir. David Lynch, 57 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eNo knock, no doorbell.\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ePart 17, Dir. David Lynch, 59 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eThe past dictates the future.\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ePart 18, Dir. David Lynch, 57 Mins\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eWhat is your name?\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003ch3 style=\"margin-left:0px;\"\u003e\u003cstrong\u003eABOUT THE SERIES:\u003c/strong\u003e\u003c/h3\u003e\u003cp style=\"margin-left:0px;\"\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eTWIN PEAKS: THE RETURN, 2017, Paramount, USA\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eDirected entirely by David Lynch, this 18-part limited event series picks up 25 years after the residents of a quaint northwestern American town were stunned when their homecoming queen, Laura Palmer, was shockingly murdered. TWIN PEAKS: THE RETURN is written and executive produced by series creators David Lynch and Mark Frost, and is executive produced by Sabrina S. Sutherland.\u003c/p\u003e1f:T445,BULLET IN THE HEAD, 1990, Dir. John Woo, 136 Mins, Shout! Studios, Hong Kong\n\nIn Cantonese with English subtitles.\n\nIn 1967, on the way to the wedding of a friend a young man is accosted by a local gang member. Later, the three friends administer justice, in the process of which the gang member is killed, so they leave Hong Kong to avoid the police and the g"])

self.__next_f.push([1,"ang. They run black market supplies to Saigon and get embroiled in the war, being arrested as Viet Cong, then later captured by the Viet Cong, and find that their friendship is tested to the limits as they try to escape.\n\nFORMAT: DCP\n\nCITY ON FIRE, 1987, Dir. Ringo Lam, 105 Mins, Shout! Studios, Hong Kong\n\nIn Cantonese with English subtitles.\n\nKo Chow is about to resign from the police force when he is asked to take on one more case. He is to go undercover in a gang that is robbing jewellery stores. He accepts the task and successfully infiltrates the gang. It is a very dangerous mission, not just because the gang might discover his true identity but because many of the police suspect he may well be a criminal.\n\nFORMAT: DCP20:T494,\u003cp\u003e\u003cspan class=\"text-big\"\u003e\u003cstrong\u003eBULLET IN THE HEAD, 1990, Dir. John Woo, 136 Mins, Shout! Studios, Hong Kong\u003c/strong\u003e\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eIn 1967, on the way to the wedding of a friend a young man is accosted by a local gang member. Later, the three friends administer justice, in the process of which the gang member is killed, so they leave Hong Kong to avoid the police and the gang. They run black market supplies to Saigon and get embroiled in the war, being arrested as Viet Cong, then later captured by the Viet Cong, and find that their friendship is tested to the limits as they try to escape.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cspan class=\"text-big\"\u003e\u003cstrong\u003eCITY ON FIRE, 1987, Dir. Ringo Lam, 105 Mins, Shout! Studios, Hong Kong\u003c/strong\u003e\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eKo Chow is about to resign from the police force when he is asked to take on one more case. He is to go undercover in a gang that is robbing jewellery stores. He accepts the task and successfully infiltrates the gang. It is a very dangerous mission, not just because the gang might discover his true identity but because many of the police suspect he may well be a criminal.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e21:T631,ABOUT THE FILM:\nIn Italian with English subtitles.\n\nMarcello Mastroianni plays Guido Anselmi, a director whose new project is c"])

self.__next_f.push([1,"ollapsing around him, along with his life. One of the greatest films about film ever made, Federico Fellini’s 8 1/2 (OTTO E MEZZO) turns one man’s artistic crisis into a grand epic of the cinema. An early working title for 8 1/2 was THE BEAUTIFUL CONFUSION, and Fellini’s masterpiece is exactly that: a shimmering dream, a circus, and a magic act.\n\nFORMAT: 35mm\n\nDISTRIBUTOR: Janus Films\n\nCOUNTRY: Italy/France\n\nABOUT THE RESTORATION:\nThis 35mm print was struck from the original camera negative at L’Immagine Ritrovato in Bologna, Italy, and subtitled at TITRAFILM in Paris, one of the world’s few surviving 35mm subtitling facilities. The print was created entirely photochemically, with no intermediary digital source or restoration. Lasers were used to etch the subtitles directly into the film emulsion, the only subtitling method possible for photochemically-created prints. Some of the laser-etched titles will occasionally be partly or completely washed out against white backgrounds, making about 15% of the text unreadable or partly readable. Some extended passages of dialogue are affected. “White on white,” unavoidable and common in 35mm prints, once plagued black \u0026 white foreign language films. The problem has largely disappeared since the rise of digital projection. Despite this issue, we feel this is an extremely rare opportunity to experience Fellini’s extraordinary imagery in a newly-struck first generation 35mm print.22:T666,\u003cp\u003e\u003cspan class=\"text-big\"\u003e\u003cstrong\u003eABOUT THE FILM:\u003c/strong\u003e\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eMarcello Mastroianni plays Guido Anselmi, a director whose new project is collapsing around him, along with his life. One of the greatest films about film ever made, Federico Fellini’s 8 1/2 (OTTO E MEZZO) turns one man’s artistic crisis into a grand epic of the cinema. An early working title for 8 1/2 was THE BEAUTIFUL CONFUSION, and Fellini’s masterpiece is exactly that: a shimmering dream, a circus, and a magic act.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cspan class=\"text-big\"\u003e\u003cstrong\u003eABOUT THE RESTORAT"])

self.__next_f.push([1,"ION:\u003c/strong\u003e\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cbr\u003eThis 35mm print was struck from the original camera negative at L’Immagine Ritrovato in Bologna, Italy, and subtitled at TITRAFILM in Paris, one of the world’s few surviving 35mm subtitling facilities. The print was created entirely photochemically, with no intermediary digital source or restoration. Lasers were used to etch the subtitles directly into the film emulsion, the only subtitling method possible for photochemically-created prints. Some of the laser-etched titles will occasionally be partly or completely washed out against white backgrounds, making about 15% of the text unreadable or partly readable. Some extended passages of dialogue are affected. “White on white,” unavoidable and common in 35mm prints, once plagued black \u0026amp; white foreign language films. The problem has largely disappeared since the rise of digital projection. Despite this issue, we feel this is an extremely rare opportunity to experience Fellini’s extraordinary imagery in a newly-struck first generation 35mm print.\u003c/p\u003e23:T888,"])

self.__next_f.push([1,"\u003cp\u003e\u003cspan class=\"text-big\"\u003e\u003cstrong\u003eA BETTER TOMORROW, 1986, Dir. John Woo, 95 Mins, Shout! Studios, Hong Kong\u003c/strong\u003e\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ci\u003eIn Cantonese with English subtitles.\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eThis story is the tale of two brothers: one a successful counterfeiter and the younger a fledgling graduate of the HK police academy. The plot revolves around the split when the younger brother learns the other is a criminal and the efforts of the criminal brother to reform. Along the way are plenty of heists, double-crosses, and shoot outs.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cspan class=\"text-big\"\u003e\u003cstrong\u003eA BETTER TOMORROW II, 1987, Dir. John Woo, 105 Mins, Shout! Studios, Hong Kong\u003c/strong\u003e\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ci\u003eIn Cantonese with English subtitles.\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eIn this sequel, Ho initially refuses to go undercover to bust the gang he used to work for in exchange for his release from prison. He only accepts after his little brother, the policeman Kit accepts the assignment. Meanwhile in New York Ken Gor, the twin brother of Mark Gor from the 1st movie, shelters the boss of the gang, who has had to flee after it is taken over by a more aggressive leadership.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cspan class=\"text-big\"\u003e\u003cstrong\u003eA BETTER TOMORROW III, 1989, Dir. Tsui Hark, 105 Mins, Shout! Studios, Hong Kong\u003c/strong\u003e\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ci\u003eIn Cantonese with English subtitles.\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eAt the end of the Vietnam war, Cheung goes to Saigon, intent on bringing his uncle and cousin back to Hong Kong. In Saigon, Cheung meets beautiful gangleader Chow, and relies on her help for their safe return. A love triangle develops between the cousins and Chow Further complicating matters, Chow’s lover Ho, a gang leader, appears Ho deports the cousins, and kills their uncle. Cheung and his cousin return to Vietnam seeking revenge, while Chow and Ho also become entangled with a local Vietnamese warlord. Chow tries to stop the battle, but the warlord kills Chow and Ho. Just before her death Chow gives the cousins the last two air tickets with which to leave Vietnam.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e"])

self.__next_f.push([1,"24:T406,Doug Quaid (Arnold Schwarzenegger) seems to have it pretty good in 2084 A.D. A heavily muscled construction worker, he boasts a beautiful wife, Lori (Sharon Stone), good friends, and a technologically advanced home featuring video phones and even video walls. But he is haunted by dreams of a mysterious brunette woman and the red wastelands of Mars. Quaid visits Rekall, a unique travel agency that implants the memory of an adventure into its customers’ minds, to get the chance to live out his Martian fantasies. When something goes terribly wrong and a blocked off portion of his mind is activated, Quaid finds himself at the center of a dangerous conspiracy. He must travel to Mars and get to the bottom of why he is being hunted by trigger-happy henchmen. But how can he know that what he’s experiencing isn’t just part of the Rekall experience? Are the mutant revolutionaries on Mars his allies, enemies, or complete fabrications? And is the lovely brunette at his side nothing more than a figment of his imagination?25:T5c4,\u003cp\u003e\u003cstrong\u003eIN THE MOOD FOR LOVE, 2000, Dir. Wong Kar Wai, 98 min, Janus Films, Hong Kong\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eHong Kong, 1962: Chow Mo-wan (Tony Leung Chiu-wai) and Su Li-zhen (Maggie Cheung Man-yuk) move into neighboring apartments on the same day. Their encounters are formal and polite—until a discovery about their spouses creates an intimate bond between them. At once delicately mannered and visually extravagant, Wong Kar Wai’s IN THE MOOD FOR LOVE is a masterful evocation of romantic longing and fleeting moments.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e“In The Mood For Love,” 2001, Dir. Wong Kar Wai, 9 min, Janus Films,\u0026nbsp;Hong Kong\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eInitially conceived as one third of a triptych about food, IN THE MOOD FOR LOVE was expanded into a stand-alone feature that won immediate recognition as a modern-day classic. Another third—intended as the “dessert,” as Wong Kar Wai has put it—was, until now, only screened during his masterclass at the 2001 Cannes F"])

self.__next_f.push([1,"ilm Festival. Now available in wide release for the first time, ‘In the Mood for Love 2001″ demonstrates the director’s masterful ability to generate palpable atmosphere and striking characterizations on a miniature canvas—with IN THE MOOD FOR LOVE stars Tony Leung Chiu Wai and Maggie Cheung Man Yuk once again providing the sizzling chemistry— evoking the mystery of transient, unexpected connections in the modern city through his inimitable romantic touch.\u003c/p\u003e26:T65f,\u003cp\u003eAmerican Cinematheque and Julien’s Auctions invite you to a special screening of MUPPET TREASURE ISLAND (1996), at the Egyptian Theatre in Hollywood, to help celebrate 70 years of productions from The Jim Henson Company .\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFollowing the screening, the film’s director, Brian Henson, will speak about the making of the movie and the legacy of his father, Jim Henson.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eThe evening will include a lobby exhibition of original puppets, props, and memorabilia that are featured in Julien’s upcoming auction honoring The Jim Henson Company’s seven-decade history. The display will include items from the film, as well as FRAGGLE ROCK, THE DARK CRYSTAL and more.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eTo view all the property up for auction at Julien’s Auctions, click the link below:\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ca href=\"https://www.juliensauctions.com/en/auctions/the-jim-henson-company-70th-anniversary-auction?via=exhibition-link\"\u003e\u003cu\u003eThe Jim Henson Company 70th Anniversary Auction\u003c/u\u003e\u003c/a\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003ch3 style=\"margin-left:0px;\"\u003e\u003cstrong\u003eABOUT THE FILM:\u003c/strong\u003e\u003c/h3\u003e\u003cp\u003eAhoy, matey! Get ready for hilarity on the high seas with Kermit the Frog, Miss Piggy and all the Muppets in this exciting first-ever action-adventure, inspired by Robert Louis Stevenson’s classic pirate tale. When young Jim Hawkins inherits a long-lost treasure map, he hires the great ship Hispaniola to seek his fortune. With the good Captain Smollett (Kermit the Frog) at the helm — and greedy Long John Silver (Tim Curry) at the heart of a dastardly plot — they "])

self.__next_f.push([1,"set sail for adventure only to discover danger at every turn.\u003c/p\u003e27:T977,"])

self.__next_f.push([1,"ABOUT THE EVENT:\nThe American Cinematheque is proud to remember legendary illustrator Drew Struzan, the creator of iconic posters for classics like THE GOONIES, E.T. THE EXTRA-TERRESTRIAL and THE THING, as well as franchises like BACK TO THE FUTURE, STAR WARS and INDIANA JONES. Through his bold, expressive style that brought a painterly sense of color and form to Hollywood’s larger-than-life stories, Struzan’s art has defined the look and feel of “the blockbuster” for generations, and his work will remain beloved by audiences and filmmakers for years to come.\n\n11:00am | BACK TO THE FUTURE\n\n1:00pm | THE GOONIES\n\n3:00pm | E.T. THE EXTRA-TERRESTRIAL \n\nStart times are approximate. There will be brief (approximately 5-10 minute) intermissions between films. Ticket includes entry to all films in the marathon.\n\nABOUT THE FILMS:\nBACK TO THE FUTURE, 1985, Dir. Robert Zemeckis, 116 Mins, Universal, USA\n\nWhen teenager Marty McFly is blasted to 1955 in the DeLorean time machine created by the eccentric Doc Brown, he finds himself mixed up in a time-shattering chain reaction that could vaporize his future—and leave him trapped in the past.\n\nFORMAT: DCP\n\nTHE GOONIES, 1985, Dir. Richard Donner, 114 Mins, Warner Bros., USA\n\nSteven Spielberg, Richard Donner and Chris Columbus collaborate to create an epic children’s adventure of subterranean caverns, sunken galleons and a fortune in lost pirate treasure waiting to be found by a group of friends known as the Goonies. With brothers Mikey (Sean Astin) and Brand’s (Josh Brolin) house slated for demolition by greedy land developers, the boys decide their only hope lies in finding a long-lost treasure. They uncover a treasure map and with their friends descend to a subterranean sea and an abandoned galleon in this fun-filled, fast-paced adventure.\n\nFORMAT: DCP\n\nE.T. THE EXTRA-TERRESTRIAL, 1982, Dir. Steven Spielberg, 115 Mins, Universal, USA\n\nJourney back to the magic and adventure of one of the most beloved American films with E.T. THE EXTRA-TERRESTRIAL, the masterpiece from Academy Award-winning director Steven Spielberg. Henry Thomas, Drew Barrymore and Robert MacNaughton star in the unforgettable story of a lost alien and the 10-year-old boy who helps him find his way home. This astounding story is sure to thrill viewers of all ages again with its timeless message of trust, courage and the overwhelming power of friendship.\n\nFORMAT: DCP"])

self.__next_f.push([1,"\u003cp\u003e\u003cspan class=\"text-big\"\u003e\u003cstrong\u003eABOUT THE EVENT:\u003c/strong\u003e\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cbr\u003eThe American Cinematheque is proud to remember legendary illustrator Drew Struzan, the creator of iconic posters for classics like THE GOONIES, E.T. THE EXTRA-TERRESTRIAL and THE THING, as well as franchises like BACK TO THE FUTURE, STAR WARS and INDIANA JONES. Through his bold, expressive style that brought a painterly sense of color and form to Hollywood’s larger-than-life stories, Struzan’s art has defined the look and feel of “the blockbuster” for generations, and his work will remain beloved by audiences and filmmakers for years to come.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e11:00am | \u003cstrong\u003eBACK TO THE FUTURE\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e1:00pm | \u003cstrong\u003eTHE GOONIES\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e3:00pm | \u003cstrong\u003eE.T. THE EXTRA-TERRESTRIAL\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ci\u003eStart times are approximate. There will be brief (approximately 5-10 minute) intermissions between films. Ticket includes entry to all films in the marathon.\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cspan class=\"text-big\"\u003e\u003cstrong\u003eABOUT THE FILMS:\u003c/strong\u003e\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eBACK TO THE FUTURE, 1985, Dir. Robert Zemeckis, 116 Mins, Universal, USA\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eWhen teenager Marty McFly is blasted to 1955 in the DeLorean time machine created by the eccentric Doc Brown, he finds himself mixed up in a time-shattering chain reaction that could vaporize his future—and leave him trapped in the past.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eTHE GOONIES, 1985, Dir. Richard Donner, 114 Mins, Warner Bros., USA\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eSteven Spielberg, Richard Donner and Chris Columbus collaborate to create an epic children’s adventure of subterranean caverns, sunken galleons and a fortune in lost pirate treasure waiting to be found by a group of friends known as the Goonies. With brothers Mikey (Sean Astin) and Brand’s (Josh Brolin) house slated for demolition by greedy land developers, the boys decide their only hope lies in finding a long-lost treasure. They uncover a treasure map and with their friends descend to a subterranean sea and an abandoned galleon in this fun-filled, fast-paced adventure.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eE.T. THE EXTRA-TERRESTRIAL, 1982, Dir. Steven Spielberg, 115 Mins, Universal, USA\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eJourney back to the magic and adventure of one of the most beloved American films with E.T. THE EXTRA-TERRESTRIAL, the masterpiece from Academy Award-winning director Steven Spielberg. Henry Thomas, Drew Barrymore and Robert MacNaughton star in the unforgettable story of a lost alien and the 10-year-old boy who helps him find his way home. This astounding story is sure to thrill viewers of all ages again with its timeless message of trust, courage and the overwhelming power of friendship.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e"])

self.__next_f.push([1,"29:T516,ABOUT THE FILMS:\n“One Froggy Evening,” 1955, Dir. Charles M. Jones, 7 Mins, USA\n\nA workman finds a singing frog in the cornerstone of an old building being demolished. But when he tries to cash in on his discovery, he finds the frog will sing only for him, and just croak for the talent agent and the audience in the theater he’s spent his life savings on.\n\nFORMAT: 35mm\n\n“Perfect Day,” 1929, Dir. James Parrott, 19 Mins, USA\n\nStan, Ollie, their wives and gouty Uncle Ed are trying to go on a Sunday morning picnic, but the boys’ Model T creates many ways to prevent the excursion.\n\nFORMAT: DCP\n\n“Men O’ War,” 1929, Dir. Lewis R. Foster, 20 Mins, USA\n\nSailors on leave, Stan and Ollie enjoy a day in the park which ultimately devolves into a waterlogged melee.\n\nFORMAT: DCP\n\n“Blotto,” 1930, Dir. James Parrott, 26 Mins, USA\n\nCarefree bachelor Ollie wants buddy Stan to get away from his highly suspicious wife, Anita, for a night of revelry at the new Rainbow Club.\n\nFORMAT: DCP\n\n“Brats,” 1930, Dir. James Parrott, 21 Mins, USA\n\nMr. Laurel and Mr. Hardy spend an exasperating evening at home, trying to play games while their very young sons – who look amazingly like their dads – engage in various noisy antics.\n\nPreviously unseen and unknown silent version.\n\nFORMAT: DCP2a:T6c0,\u003cp\u003e\u003cspan class=\"text-big\"\u003e\u003cstrong\u003eABOUT THE FILMS:\u003c/strong\u003e\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003e“One Froggy Evening,” 1955, Dir. Charles M. Jones, 7 Mins, USA\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eA workman finds a singing frog in the cornerstone of an old building being demolished. But when he tries to cash in on his discovery, he finds the frog will sing only for him, and just croak for the talent agent and the audience in the theater he’s spent his life savings on.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: 35mm\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e“Perfect Day,” 1929, Dir. James Parrott, 19 Mins, USA\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eStan, Ollie, their wives and gouty Uncle Ed are trying to go on a Sunday morning picnic, but the boys’ Model T creates many w"])

self.__next_f.push([1,"ays to prevent the excursion.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e“Men O’ War,” 1929, Dir. Lewis R. Foster, 20 Mins, USA\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eSailors on leave, Stan and Ollie enjoy a day in the park which ultimately devolves into a waterlogged melee.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e“Blotto,” 1930, Dir. James Parrott, 26 Mins, USA\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eCarefree bachelor Ollie wants buddy Stan to get away from his highly suspicious wife, Anita, for a night of revelry at the new Rainbow Club.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e“Brats,” 1930, Dir. James Parrott, 21 Mins, USA\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eMr. Laurel and Mr. Hardy spend an exasperating evening at home, trying to play games while their very young sons – who look amazingly like their dads – engage in various noisy antics.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ci\u003ePreviously unseen and unknown silent version.\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e2b:T814,"])

self.__next_f.push([1,"\u003cp style=\"text-align:center;\"\u003eThe Egyptian Theatre is thrilled to announce the final two events in 2025 for its monthly screening series with the\u0026nbsp;\u003ca href=\"http://www.lafca.net/\"\u003e\u003cu\u003eLos Angeles Film Critics Association\u003c/u\u003e\u003c/a\u003e.\u003c/p\u003e\u003cp style=\"text-align:center;\"\u003e\u003cbr\u003eFor this year’s edition of the series, we’ve celebrated LAFCA’s 50th anniversary. Each film selected for the series in 2025 represents a unique choice made by the organization at its annual vote over the past 50 years. LAFCA has often chosen to highlight excellent titles that stand apart from the preordained front-runners of awards season.\u003c/p\u003e\u003cp style=\"text-align:center;\"\u003e\u0026nbsp;\u003c/p\u003e\u003cp style=\"text-align:center;\"\u003eOur last two 2025 events will celebrate LAFCA’s two most recent winners of its Career Achievement Award.\u003c/p\u003e\u003cp style=\"text-align:center;\"\u003e\u0026nbsp;\u003c/p\u003e\u003cp style=\"text-align:center;\"\u003eOn Monday, November 10, LAFCA and the Egyptian Theatre will welcome filmmaker\u0026nbsp;\u003cstrong\u003ePhilip Kaufman\u003c/strong\u003e, recently announced recipient of LAFCA’s 2026 Career Achievement Award, for a screening of his 1978 reimagining of the sci-fi classic\u0026nbsp;\u003ci\u003e\u003cstrong\u003eInvasion of the Body Snatchers\u003c/strong\u003e\u003c/i\u003e, starring Donald Sutherland, Brooke Adams, Jeff Goldblum, Veronica Cartwright, and Leonard Nimoy. Kaufman will appear in conversation with LAFCA President\u0026nbsp;\u003cstrong\u003eRobert Abele\u003c/strong\u003e.\u003c/p\u003e\u003cp style=\"text-align:center;\"\u003e\u0026nbsp;\u003c/p\u003e\u003cp style=\"text-align:center;\"\u003eOn Thursday, December 4, we’ll conclude this year’s series with LAFCA’s 2025 Career Achievement Award recipient,\u0026nbsp;\u003cstrong\u003eJohn Carpenter\u003c/strong\u003e. Carpenter will join LAFCA member and Los Angeles Times film critic\u0026nbsp;\u003cstrong\u003eAmy Nicholson\u003c/strong\u003e for a discussion prior to a 35mm screening of\u0026nbsp;\u003ci\u003e\u003cstrong\u003eEscape from L.A.\u003c/strong\u003e\u003c/i\u003e, Carpenter’s 1996 follow-up to\u0026nbsp;\u003ci\u003eEscape from New York\u003c/i\u003e, in which Kurt Russell reprises his role as Snake Plissken.\u003c/p\u003e\u003cp style=\"text-align:center;\"\u003e\u003cbr\u003eTickets for\u0026nbsp;\u003ci\u003eInvasion of the Body Snatchers\u003c/i\u003e and\u0026nbsp;\u003ci\u003eEscape from L.A.\u003c/i\u003e are on sale now.\u003c/p\u003e"])

self.__next_f.push([1,"\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ci\u003e\u003cstrong\u003eQ\u0026amp;A with director Todd Haynes, moderated by Los Angeles Times's Joshua Rothkopf, following SAFE; Haynes will introduce CAROL following the conversation.\u003c/strong\u003e\u003c/i\u003e\u003cbr\u003e\u0026nbsp;\u003c/p\u003e\u003chr\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eSAFE (1995)\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003ci\u003eSafe\u003c/i\u003e tells the story of Carol White, a Los Angeles housewife whose affluent environment turns against her in the form of an inexplicable illness. What begins as sudden allergic reactions to everyday chemicals, fragrances and fumes turns increasingly violent, transforming the laminated safety of Carol's existence into a terror of everyday life. When she is diagnosed with an immunity disorder called \"Twentieth Century Disease,\" and sets off to New Mexico in search of treatment, Carol's journey turns inward. And, in the crisis of identity that results, \u003ci\u003eSafe\u003c/i\u003e reveals the ways in which disease infests our basic sense of who we are. (35mm, 119 minutes)\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cstrong\u003eConversation will occur between screenings. The second film will start at approx. 9:50 PM, with a brief introduction by Haynes.\u003c/strong\u003e\u003c/i\u003e\u003cbr\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eCAROL (2015)\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e35mm print courtesy of director Todd Haynes and Director of Photography Ed Lachman\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cbr\u003eIn an adaptation of Patricia Highsmith's seminal novel \u003ci\u003eThe Price of Salt\u003c/i\u003e, \u003ci\u003eCarol\u003c/i\u003e follows two women from very different backgrounds who find themselves in an unexpected love affair in 1950s New York. As conventional norms of the time challenge their undeniable attraction, an honest story emerges to reveal the resilience of the heart in the face of change. A young woman in her 20s, Therese Belivet (Rooney Mara), is a clerk working in a Manhattan department store and dreaming of a more fulfilling life when she meets Carol (Cate Blanchett), an alluring woman trapped in a loveless, convenient marriage. As an immediate connection sparks between them, the innocence of their first encounter dims and their connection deepens. While Carol breaks free from the confines of marriage, her husband (Kyle Chandler) begins to question her competence as a mother as her involvement with Therese and close relationship with her best friend Abby (Sarah Paulson) come to light. (35mm, 119 minutes)\u003c/p\u003e"])

self.__next_f.push([1,"\u003cp\u003eOn March 26, we will welcome a three-time Los Angeles Film Critics Association award winner to the Egyptian: \u003cstrong\u003eBrad Bird\u003c/strong\u003e, who took home LAFCA’s prize for Best Animation for his first three animated feature films as a director: \u003ci\u003e\u003cstrong\u003eThe Iron Giant\u003c/strong\u003e\u003c/i\u003e (1999), \u003ci\u003e\u003cstrong\u003eThe Incredibles\u003c/strong\u003e\u003c/i\u003e (2004) and \u003ci\u003eRatatouille\u003c/i\u003e (2007). Bird’s unparalleled storytelling in the animated space often combines childlike wonder with dazzling action sequences that have enraptured audiences of all ages for decades.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eWe will screen a double feature of \u003ci\u003e\u003cstrong\u003eThe Iron Giant\u003c/strong\u003e\u003c/i\u003e and \u003ci\u003e\u003cstrong\u003eThe Incredibles\u003c/strong\u003e\u003c/i\u003e, with Brad Bird joining us between films for a Q\u0026amp;A moderated by LAFCA member and chief film critic for \u003ci\u003eVariety\u003c/i\u003e, Peter Debruge.\u003cbr\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ci\u003eBrad Bird is an American film director, screenwriter, producer, and voice actor. He has created work in both animation and live-action, and is known for: \u003c/i\u003eThe Incredibles\u003ci\u003e franchise, \u003c/i\u003eRatatouille\u003ci\u003e, T\u003c/i\u003ehe Iron Giant\u003ci\u003e, \u003c/i\u003eMission: Impossible – Ghost Protocol\u003ci\u003e and \u003c/i\u003eTomorrowland\u003ci\u003e.\u003c/i\u003e\u003cbr\u003e\u003cbr\u003e\u0026nbsp;\u003cbr\u003e\u003cstrong\u003eTHE IRON GIANT (1999 - Theatrical Cut)\u003c/strong\u003e\u003cbr\u003eImagine you confront your enemy--a giant, scary robot from outer space--and he becomes your best pal. A young boy befriends a monster in the heartwarming animated feature \u003ci\u003e\u003cstrong\u003eThe Iron Giant\u003c/strong\u003e\u003c/i\u003e. October, 1957. Nine-year-old Hogarth Hughes (Eli Marienthal) lives in Rockwell, Maine, a seemingly idyllic town. Hearing stories of a UFO that crashed into the sea, Hogarth, always on the lookout for mutant aliens, finds a huge, metal-eating robot (Vin Diesel) with an insatiable curiosity and equally insatiable appetite. But the extraterrestrial's presence unleashes a wave of Cold War paranoia that threatens to engulf Rockwell unless Hogarth and his 50-foot friend can stop it. Acclaimed animation director and writer Brad Bird brings his creative talents to the big screen in this unique tale of two heroes. In times like these, you really find out what your friends are made of ... sometimes it's metal, if your best buddy's The Iron Giant. Based on the book “The Iron Man” by Ted Hughes. (DCP, 90 minutes)\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ci\u003e\u003cstrong\u003eConversation will occur between screenings. The second film will start at approx. 9:45 PM.\u003c/strong\u003e\u003c/i\u003e\u003cbr\u003e\u0026nbsp;\u003cbr\u003e\u003cstrong\u003eTHE INCREDIBLES (2004)\u003c/strong\u003e\u003cbr\u003eFrom the creative minds behind the \u003ci\u003eToy Story\u003c/i\u003e films and \u003ci\u003eRatatouille\u003c/i\u003e comes this hilarious, action-packed animated adventure about a seemingly ordinary family with an incredible secret. Known to the world as Supers Mr. Incredible and Elastigirl, Bob Parr and his wife Helen were among the world's greatest crime fighters, saving lives and battling evil on a daily basis. Fifteen years later, they have been forced to adopt civilian identities and retreat to the suburbs to live \"\"normal\"\" lives with their three kids, Violet, Dash and Jack-Jack. Itching to get back into action, Bob gets his chance when a mysterious communication summons him to a remote island for a top-secret assignment. He soon discovers that it will take a super family effort to rescue the world from total destruction. (DCP, 116 minutes; The Incredibles \u003ci\u003escreening features audio description and closed captioning \u003c/i\u003e\u003ca href=\"https://www.egyptiantheatre.com/about\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003ci\u003evia accessibility device\u003c/i\u003e\u003c/a\u003e\u003ci\u003e.\u003c/i\u003e)\u003c/p\u003e"])

self.__next_f.push([1,"2e:T472,\u003cp\u003eOn April 22, we’ll present a 30th anniversary screening of \u003ci\u003e\u003cstrong\u003eDevil in a Blue Dress\u003c/strong\u003e\u003c/i\u003e with writer-director Carl Franklin in person. The film was awarded a Best Supporting Actor recognition by LAFCA for Don Cheadle’s performance as Mouse Alexander, opposite Denzel Washington’s Easy Rawlins. The film will be followed by a Q\u0026amp;A with Franklin, moderated by Beandrea July, LAFCA member and Programmer at UCLA Film \u0026amp; Television Archive.\u003c/p\u003e\u003cp\u003e\u003cbr\u003eDenzel Washington turns up the heat as an L.A. private eye in this steamy mystery from producers Jesse Beaton and Gary Goetzman, executive producers Jonathan Demme and Edward Saxon and director Carl Franklin. Washington stars as Ezekiel \"Easy\" Rawlins, a decorated war hero who returns home to the segregation of post-war America. Forced to accept an under-the-table job finding a missing socialite, Easy is caught between the white elite and the vibrant black community of Central Avenue. And as soon as Easy and his trigger-happy friend Mouse (Don Cheadle, in a star-making performance) find the mysterious Daphne Monet (Jennifer Beals), trouble follows.\u003c/p\u003e2f:T40c,\u003cp\u003eOn Thursday, July 24th, LAFCA and the Egyptian Theatre will welcome Academy Award nominated filmmakers\u0026nbsp;\u003cstrong\u003eRon Clements\u003c/strong\u003e and\u0026nbsp;\u003cstrong\u003eJohn Musker\u003c/strong\u003e, who will appear for a Q\u0026amp;A\u0026nbsp; moderated by LAFCA member \u003cstrong\u003eCarlos Aguilar\u003c/strong\u003e \u003cu\u003eprior\u003c/u\u003e to a screening of their 1989 smash hit,\u0026nbsp;\u003ci\u003e\u003cstrong\u003eThe Little Mermaid\u003c/strong\u003e\u003c/i\u003e. Clements and Musker received LAFCA’s inaugural award for Best Animation for the film, which was the first award of its kind for an animated feature among critics groups.\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cbr\u003eIn Disney's beguiling animated romp, rebellious 16-year-old mermaid Ariel is fascinated with life on land. On one of her visits to the surface, which are forbidden by her controlling father, King Triton, she falls for a human prince. Determined to be with her new love, Ariel makes a dangerous deal with the sea witch Ursula to be"])

self.__next_f.push([1,"come human for three days. But when plans go awry for the star-crossed lovers, the king must make the ultimate sacrifice for his daughter.\u003c/p\u003e30:T45d,\u003cp\u003eOn Monday, September 15th, LAFCA and the Egyptian Theatre will welcome filmmaker \u003cstrong\u003eThom Andersen\u003c/strong\u003e to discuss his landmark 2003 essay film \u003ci\u003e\u003cstrong\u003eLos Angeles Plays Itself\u003c/strong\u003e\u003c/i\u003e in a conversation moderated by LAFCA members\u003cstrong\u003e Ryan Swen\u003c/strong\u003e and \u003cstrong\u003eJordan Cronk\u003c/strong\u003e.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eWinner of LAFCA’s Douglas Edwards Experimental/Independent Film/Video Award, Andersen’s film developed a legendary status as it garnered rapturous critical acclaim, but for many years was only available in special, rare theatrical settings. In his dazzling work, Andersen takes viewers on a whirlwind tour through Los Angeles’ real and cinematic history, spanning nearly 100 years, from the silent era to modern times. Like a detective in pursuit of an elusive adversary, Andersen investigates the myriad stories and legends that have come to define this 'dream factory.' With extensive research, and an abundance of clips, anecdotes and analysis, he adroitly peels back layers of fiction to reveal the real city and the actual lives of its denizens beneath the glaring lights.\u003c/p\u003e31:T548,\u003cp\u003eOn \u003cstrong\u003eThursday, December 4\u003c/strong\u003e, we’ll conclude this year’s series with LAFCA’s 2025 Career Achievement Award recipient, \u003cstrong\u003eJohn Carpenter\u003c/strong\u003e. Carpenter will join LAFCA member and \u003ci\u003eLos Angeles Times\u003c/i\u003e film critic \u003cstrong\u003eAmy Nicholson\u003c/strong\u003e for a discussion prior to a 35mm screening of \u003ci\u003e\u003cstrong\u003eEscape from L.A.\u003c/strong\u003e\u003c/i\u003e, Carpenter’s 1996 follow-up to \u003ci\u003eEscape from New York\u003c/i\u003e, in which Kurt Russell reprises his role as Snake Plissken.\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cstrong\u003e35mm print! \u003c/strong\u003e\u003c/i\u003eThe man with the patch is back. Call him Snake. Kurt Russell rejoins filmmakers John Carpenter and Debra Hill to do to the Big Orange what they did to the Big Apple in \u003ci\u003eEscape From New York\u003c/i\u003e – with even more futuristic thrills and slam-ba"])

self.__next_f.push([1,"ng action! Into the 9.6-quaked Los Angeles of 2013 comes Snake Plissken (Russell). His job: wade through L.A.'s ruined landmarks to retrieve a doomsday device. Don't miss the excitement as Snake surfs Wilshire Blvd., shoots hoops at the Coliseum, dive bombs the Happy Kingdom theme park, and mixes it up with a wild assortment of friends, fiends and foes (Stacy Keach, Steve Buscemi, Peter Fonda, George Corraface, Cliff Robertson, Pam Grier and more). \u003ci\u003e\u003cstrong\u003eEscape From L.A.\u003c/strong\u003e\u003c/i\u003e is a 'go-for-broke action extravaganza!' (Roger Ebert, \u003ci\u003eChicago Sun-Times\u003c/i\u003e).\u003c/p\u003e32:T50b,\u003cp\u003e\u003cstrong\u003ePost-film Q\u0026amp;A with Academy Award®-nominated filmmaker Rian Johnson, moderated by Jason Reitman.\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eBenoit Blanc (Daniel Craig) returns for his most dangerous case yet in the third and darkest chapter of Rian Johnson’s murder mystery opus. When young priest Jud Duplenticy (Josh O’Connor) is sent to assist charismatic firebrand Monsignor Jefferson Wicks (Josh Brolin), it’s clear that all is not well in the pews. Wicks’s modest-but-devoted flock includes devout church lady Martha Delacroix (Glenn Close), circumspect groundskeeper Samson Holt (Thomas Haden Church), tightly-wound lawyer Vera Draven, Esq. (Kerry Washington), aspiring politician Cy Draven (Daryl McCormack), town doctor Nat Sharp (Jeremy Renner), best-selling author Lee Ross (Andrew Scott), and concert cellist Simone Vivane (Cailee Spaeny). After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott (Mila Kunis) to join forces with renowned detective Benoit Blanc to unravel a mystery that defies all logic. Academy Award-nominated filmmaker Rian Johnson writes and directs \u003ci\u003e\u003cstrong\u003eWake Up Dead Man: A Knives Out Mystery,\u003c/strong\u003e\u003c/i\u003e and assembles another all-star, award-winning cast.\u003c/p\u003e33:T463,Benoit Blanc (Daniel Craig) returns for his most dangerous case yet in the third and darkest chapter of Rian Johnson’s murder mystery opus. When young priest Ju"])

self.__next_f.push([1,"d Duplenticy (Josh O’Connor) is sent to assist charismatic firebrand Monsignor Jefferson Wicks (Josh Brolin), it’s clear that all is not well in the pews. Wicks’s modest-but-devoted flock includes devout church lady Martha Delacroix (Glenn Close), circumspect groundskeeper Samson Holt (Thomas Haden Church), tightly-wound lawyer Vera Draven, Esq. (Kerry Washington), aspiring politician Cy Draven (Daryl McCormack), town doctor Nat Sharp (Jeremy Renner), best-selling author Lee Ross (Andrew Scott), and concert cellist Simone Vivane (Cailee Spaeny). After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott (Mila Kunis) to join forces with renowned detective Benoit Blanc to unravel a mystery that defies all logic. Academy Award-nominated filmmaker Rian Johnson writes and directs WAKE UP DEAD MAN: A KNIVES OUT MYSTERY, and assembles another all-star, award-winning cast.34:T7fd,\u003cp\u003e\u003ci\u003e\u003cstrong\u003ePost-film Q\u0026amp;A with filmmaker Rian Johnson on December 2 (moderated by Jason Reitman) at the 7PM Screening\u003c/strong\u003e\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ci\u003e\u003cstrong\u003eExtended pre-film Introduction with filmmaker Rian Johnson on December 3 at the 7 PM screening.\u003c/strong\u003e\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eBenoit Blanc (Daniel Craig) returns for his most dangerous case yet in the third and darkest chapter of Rian Johnson’s murder mystery opus. When young priest Jud Duplenticy (Josh O’Connor) is sent to assist charismatic firebrand Monsignor Jefferson Wicks (Josh Brolin), it’s clear that all is not well in the pews. Wicks’s modest-but-devoted flock includes devout church lady Martha Delacroix (Glenn Close), circumspect groundskeeper Samson Holt (Thomas Haden Church), tightly-wound lawyer Vera Draven, Esq. (Kerry Washington), aspiring politician Cy Draven (Daryl McCormack), town doctor Nat Sharp (Jeremy Renner), best-selling author Lee Ross (Andrew Scott), and concert cellist Simone Vivane (Cailee Spaeny). After a sudden and seemingly impossible murder rocks the town, t"])

self.__next_f.push([1,"he lack of an obvious suspect prompts local police chief Geraldine Scott (Mila Kunis) to join forces with renowned detective Benoit Blanc to unravel a mystery that defies all logic. Academy Award-nominated filmmaker Rian Johnson writes and directs \u003ci\u003e\u003cstrong\u003eWake Up Dead Man: A Knives Out Mystery\u003c/strong\u003e\u003c/i\u003e, and assembles another all-star, award-winning cast.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ci\u003eTicket holders will take home a limited edition, exclusive 35mm engagement mini-poster, while supplies last.\u003c/i\u003e\u003cbr\u003e\u0026nbsp;\u003cbr\u003e\u003cstrong\u003eWe are pleased to invite \u003c/strong\u003e\u003ci\u003e\u003cstrong\u003eAMPAS, SAG NOM COMM, BAFTA, PGA, DGA, WGA, ACE, ADG, ASC, CAS, CDG, CSA, MPEG, MPSE, SCL, VES\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e Guild Members: Members and a guest are allowed complimentary entry to any public screening of new release titles on a space-available basis, upon presentation of your membership card at the venue box office 30 minutes prior to showtime (advance reservations not available).\u003c/strong\u003e\u003c/p\u003e35:T4ed,\u003cp\u003e\u003cstrong\u003eExtended pre-film introduction with two-time Academy Award®-nominated filmmaker Rian Johnson.\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eBenoit Blanc (Daniel Craig) returns for his most dangerous case yet in the third and darkest chapter of Rian Johnson’s murder mystery opus. When young priest Jud Duplenticy (Josh O’Connor) is sent to assist charismatic firebrand Monsignor Jefferson Wicks (Josh Brolin), it’s clear that all is not well in the pews. Wicks’s modest-but-devoted flock includes devout church lady Martha Delacroix (Glenn Close), circumspect groundskeeper Samson Holt (Thomas Haden Church), tightly-wound lawyer Vera Draven, Esq. (Kerry Washington), aspiring politician Cy Draven (Daryl McCormack), town doctor Nat Sharp (Jeremy Renner), best-selling author Lee Ross (Andrew Scott), and concert cellist Simone Vivane (Cailee Spaeny). After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott (Mila Kunis) to join forces with renowned detective Benoit Blanc to unravel a myste"])

self.__next_f.push([1,"ry that defies all logic. Academy Award-nominated filmmaker Rian Johnson writes and directs Wake Up Dead Man: A Knives Out Mystery, and assembles another all-star, award-winning cast.\u003c/p\u003e36:T463,Benoit Blanc (Daniel Craig) returns for his most dangerous case yet in the third and darkest chapter of Rian Johnson’s murder mystery opus. When young priest Jud Duplenticy (Josh O’Connor) is sent to assist charismatic firebrand Monsignor Jefferson Wicks (Josh Brolin), it’s clear that all is not well in the pews. Wicks’s modest-but-devoted flock includes devout church lady Martha Delacroix (Glenn Close), circumspect groundskeeper Samson Holt (Thomas Haden Church), tightly-wound lawyer Vera Draven, Esq. (Kerry Washington), aspiring politician Cy Draven (Daryl McCormack), town doctor Nat Sharp (Jeremy Renner), best-selling author Lee Ross (Andrew Scott), and concert cellist Simone Vivane (Cailee Spaeny). After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott (Mila Kunis) to join forces with renowned detective Benoit Blanc to unravel a mystery that defies all logic. Academy Award-nominated filmmaker Rian Johnson writes and directs WAKE UP DEAD MAN: A KNIVES OUT MYSTERY, and assembles another all-star, award-winning cast.37:T7fd,\u003cp\u003e\u003ci\u003e\u003cstrong\u003ePost-film Q\u0026amp;A with filmmaker Rian Johnson on December 2 (moderated by Jason Reitman) at the 7PM Screening\u003c/strong\u003e\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ci\u003e\u003cstrong\u003eExtended pre-film Introduction with filmmaker Rian Johnson on December 3 at the 7 PM screening.\u003c/strong\u003e\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eBenoit Blanc (Daniel Craig) returns for his most dangerous case yet in the third and darkest chapter of Rian Johnson’s murder mystery opus. When young priest Jud Duplenticy (Josh O’Connor) is sent to assist charismatic firebrand Monsignor Jefferson Wicks (Josh Brolin), it’s clear that all is not well in the pews. Wicks’s modest-but-devoted flock includes devout church lady Martha Delacroix (Glenn Close), circumspect"])

self.__next_f.push([1," groundskeeper Samson Holt (Thomas Haden Church), tightly-wound lawyer Vera Draven, Esq. (Kerry Washington), aspiring politician Cy Draven (Daryl McCormack), town doctor Nat Sharp (Jeremy Renner), best-selling author Lee Ross (Andrew Scott), and concert cellist Simone Vivane (Cailee Spaeny). After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott (Mila Kunis) to join forces with renowned detective Benoit Blanc to unravel a mystery that defies all logic. Academy Award-nominated filmmaker Rian Johnson writes and directs \u003ci\u003e\u003cstrong\u003eWake Up Dead Man: A Knives Out Mystery\u003c/strong\u003e\u003c/i\u003e, and assembles another all-star, award-winning cast.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ci\u003eTicket holders will take home a limited edition, exclusive 35mm engagement mini-poster, while supplies last.\u003c/i\u003e\u003cbr\u003e\u0026nbsp;\u003cbr\u003e\u003cstrong\u003eWe are pleased to invite \u003c/strong\u003e\u003ci\u003e\u003cstrong\u003eAMPAS, SAG NOM COMM, BAFTA, PGA, DGA, WGA, ACE, ADG, ASC, CAS, CDG, CSA, MPEG, MPSE, SCL, VES\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e Guild Members: Members and a guest are allowed complimentary entry to any public screening of new release titles on a space-available basis, upon presentation of your membership card at the venue box office 30 minutes prior to showtime (advance reservations not available).\u003c/strong\u003e\u003c/p\u003e38:T548,\u003cp\u003eOn \u003cstrong\u003eThursday, December 4\u003c/strong\u003e, we’ll conclude this year’s series with LAFCA’s 2025 Career Achievement Award recipient, \u003cstrong\u003eJohn Carpenter\u003c/strong\u003e. Carpenter will join LAFCA member and \u003ci\u003eLos Angeles Times\u003c/i\u003e film critic \u003cstrong\u003eAmy Nicholson\u003c/strong\u003e for a discussion prior to a 35mm screening of \u003ci\u003e\u003cstrong\u003eEscape from L.A.\u003c/strong\u003e\u003c/i\u003e, Carpenter’s 1996 follow-up to \u003ci\u003eEscape from New York\u003c/i\u003e, in which Kurt Russell reprises his role as Snake Plissken.\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cstrong\u003e35mm print! \u003c/strong\u003e\u003c/i\u003eThe man with the patch is back. Call him Snake. Kurt Russell rejoins filmmakers John Carpenter and Debra Hill to do to the Big Orange what they did to the Big Apple in \u003ci\u003eEscape From New Yo"])

self.__next_f.push([1,"rk\u003c/i\u003e – with even more futuristic thrills and slam-bang action! Into the 9.6-quaked Los Angeles of 2013 comes Snake Plissken (Russell). His job: wade through L.A.'s ruined landmarks to retrieve a doomsday device. Don't miss the excitement as Snake surfs Wilshire Blvd., shoots hoops at the Coliseum, dive bombs the Happy Kingdom theme park, and mixes it up with a wild assortment of friends, fiends and foes (Stacy Keach, Steve Buscemi, Peter Fonda, George Corraface, Cliff Robertson, Pam Grier and more). \u003ci\u003e\u003cstrong\u003eEscape From L.A.\u003c/strong\u003e\u003c/i\u003e is a 'go-for-broke action extravaganza!' (Roger Ebert, \u003ci\u003eChicago Sun-Times\u003c/i\u003e).\u003c/p\u003e39:T548,\u003cp\u003eOn \u003cstrong\u003eThursday, December 4\u003c/strong\u003e, we’ll conclude this year’s series with LAFCA’s 2025 Career Achievement Award recipient, \u003cstrong\u003eJohn Carpenter\u003c/strong\u003e. Carpenter will join LAFCA member and \u003ci\u003eLos Angeles Times\u003c/i\u003e film critic \u003cstrong\u003eAmy Nicholson\u003c/strong\u003e for a discussion prior to a 35mm screening of \u003ci\u003e\u003cstrong\u003eEscape from L.A.\u003c/strong\u003e\u003c/i\u003e, Carpenter’s 1996 follow-up to \u003ci\u003eEscape from New York\u003c/i\u003e, in which Kurt Russell reprises his role as Snake Plissken.\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cstrong\u003e35mm print! \u003c/strong\u003e\u003c/i\u003eThe man with the patch is back. Call him Snake. Kurt Russell rejoins filmmakers John Carpenter and Debra Hill to do to the Big Orange what they did to the Big Apple in \u003ci\u003eEscape From New York\u003c/i\u003e – with even more futuristic thrills and slam-bang action! Into the 9.6-quaked Los Angeles of 2013 comes Snake Plissken (Russell). His job: wade through L.A.'s ruined landmarks to retrieve a doomsday device. Don't miss the excitement as Snake surfs Wilshire Blvd., shoots hoops at the Coliseum, dive bombs the Happy Kingdom theme park, and mixes it up with a wild assortment of friends, fiends and foes (Stacy Keach, Steve Buscemi, Peter Fonda, George Corraface, Cliff Robertson, Pam Grier and more). \u003ci\u003e\u003cstrong\u003eEscape From L.A.\u003c/strong\u003e\u003c/i\u003e is a 'go-for-broke action extravaganza!' (Roger Ebert, \u003ci\u003eChicago Sun-Times\u003c/i\u003e).\u003c/p\u003e3a:T548,\u003cp\u003eOn \u003cstrong\u003eThursday, December 4\u003c/strong\u003e, "])

self.__next_f.push([1,"we’ll conclude this year’s series with LAFCA’s 2025 Career Achievement Award recipient, \u003cstrong\u003eJohn Carpenter\u003c/strong\u003e. Carpenter will join LAFCA member and \u003ci\u003eLos Angeles Times\u003c/i\u003e film critic \u003cstrong\u003eAmy Nicholson\u003c/strong\u003e for a discussion prior to a 35mm screening of \u003ci\u003e\u003cstrong\u003eEscape from L.A.\u003c/strong\u003e\u003c/i\u003e, Carpenter’s 1996 follow-up to \u003ci\u003eEscape from New York\u003c/i\u003e, in which Kurt Russell reprises his role as Snake Plissken.\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cstrong\u003e35mm print! \u003c/strong\u003e\u003c/i\u003eThe man with the patch is back. Call him Snake. Kurt Russell rejoins filmmakers John Carpenter and Debra Hill to do to the Big Orange what they did to the Big Apple in \u003ci\u003eEscape From New York\u003c/i\u003e – with even more futuristic thrills and slam-bang action! Into the 9.6-quaked Los Angeles of 2013 comes Snake Plissken (Russell). His job: wade through L.A.'s ruined landmarks to retrieve a doomsday device. Don't miss the excitement as Snake surfs Wilshire Blvd., shoots hoops at the Coliseum, dive bombs the Happy Kingdom theme park, and mixes it up with a wild assortment of friends, fiends and foes (Stacy Keach, Steve Buscemi, Peter Fonda, George Corraface, Cliff Robertson, Pam Grier and more). \u003ci\u003e\u003cstrong\u003eEscape From L.A.\u003c/strong\u003e\u003c/i\u003e is a 'go-for-broke action extravaganza!' (Roger Ebert, \u003ci\u003eChicago Sun-Times\u003c/i\u003e).\u003c/p\u003e3b:T548,\u003cp\u003eOn \u003cstrong\u003eThursday, December 4\u003c/strong\u003e, we’ll conclude this year’s series with LAFCA’s 2025 Career Achievement Award recipient, \u003cstrong\u003eJohn Carpenter\u003c/strong\u003e. Carpenter will join LAFCA member and \u003ci\u003eLos Angeles Times\u003c/i\u003e film critic \u003cstrong\u003eAmy Nicholson\u003c/strong\u003e for a discussion prior to a 35mm screening of \u003ci\u003e\u003cstrong\u003eEscape from L.A.\u003c/strong\u003e\u003c/i\u003e, Carpenter’s 1996 follow-up to \u003ci\u003eEscape from New York\u003c/i\u003e, in which Kurt Russell reprises his role as Snake Plissken.\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cstrong\u003e35mm print! \u003c/strong\u003e\u003c/i\u003eThe man with the patch is back. Call him Snake. Kurt Russell rejoins filmmakers John Carpenter and Debra Hill to do to the Big Orange what they did to the Big Apple in \u003ci\u003eEscape From New York\u003c/i\u003e – with "])

self.__next_f.push([1,"even more futuristic thrills and slam-bang action! Into the 9.6-quaked Los Angeles of 2013 comes Snake Plissken (Russell). His job: wade through L.A.'s ruined landmarks to retrieve a doomsday device. Don't miss the excitement as Snake surfs Wilshire Blvd., shoots hoops at the Coliseum, dive bombs the Happy Kingdom theme park, and mixes it up with a wild assortment of friends, fiends and foes (Stacy Keach, Steve Buscemi, Peter Fonda, George Corraface, Cliff Robertson, Pam Grier and more). \u003ci\u003e\u003cstrong\u003eEscape From L.A.\u003c/strong\u003e\u003c/i\u003e is a 'go-for-broke action extravaganza!' (Roger Ebert, \u003ci\u003eChicago Sun-Times\u003c/i\u003e).\u003c/p\u003e3c:T463,Benoit Blanc (Daniel Craig) returns for his most dangerous case yet in the third and darkest chapter of Rian Johnson’s murder mystery opus. When young priest Jud Duplenticy (Josh O’Connor) is sent to assist charismatic firebrand Monsignor Jefferson Wicks (Josh Brolin), it’s clear that all is not well in the pews. Wicks’s modest-but-devoted flock includes devout church lady Martha Delacroix (Glenn Close), circumspect groundskeeper Samson Holt (Thomas Haden Church), tightly-wound lawyer Vera Draven, Esq. (Kerry Washington), aspiring politician Cy Draven (Daryl McCormack), town doctor Nat Sharp (Jeremy Renner), best-selling author Lee Ross (Andrew Scott), and concert cellist Simone Vivane (Cailee Spaeny). After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott (Mila Kunis) to join forces with renowned detective Benoit Blanc to unravel a mystery that defies all logic. Academy Award-nominated filmmaker Rian Johnson writes and directs WAKE UP DEAD MAN: A KNIVES OUT MYSTERY, and assembles another all-star, award-winning cast.3d:T7fd,\u003cp\u003e\u003ci\u003e\u003cstrong\u003ePost-film Q\u0026amp;A with filmmaker Rian Johnson on December 2 (moderated by Jason Reitman) at the 7PM Screening\u003c/strong\u003e\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ci\u003e\u003cstrong\u003eExtended pre-film Introduction with filmmaker Rian Johnson on December 3 at the 7 PM screening.\u003c/strong\u003e\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/"])

self.__next_f.push([1,"p\u003e\u003cp\u003eBenoit Blanc (Daniel Craig) returns for his most dangerous case yet in the third and darkest chapter of Rian Johnson’s murder mystery opus. When young priest Jud Duplenticy (Josh O’Connor) is sent to assist charismatic firebrand Monsignor Jefferson Wicks (Josh Brolin), it’s clear that all is not well in the pews. Wicks’s modest-but-devoted flock includes devout church lady Martha Delacroix (Glenn Close), circumspect groundskeeper Samson Holt (Thomas Haden Church), tightly-wound lawyer Vera Draven, Esq. (Kerry Washington), aspiring politician Cy Draven (Daryl McCormack), town doctor Nat Sharp (Jeremy Renner), best-selling author Lee Ross (Andrew Scott), and concert cellist Simone Vivane (Cailee Spaeny). After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott (Mila Kunis) to join forces with renowned detective Benoit Blanc to unravel a mystery that defies all logic. Academy Award-nominated filmmaker Rian Johnson writes and directs \u003ci\u003e\u003cstrong\u003eWake Up Dead Man: A Knives Out Mystery\u003c/strong\u003e\u003c/i\u003e, and assembles another all-star, award-winning cast.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ci\u003eTicket holders will take home a limited edition, exclusive 35mm engagement mini-poster, while supplies last.\u003c/i\u003e\u003cbr\u003e\u0026nbsp;\u003cbr\u003e\u003cstrong\u003eWe are pleased to invite \u003c/strong\u003e\u003ci\u003e\u003cstrong\u003eAMPAS, SAG NOM COMM, BAFTA, PGA, DGA, WGA, ACE, ADG, ASC, CAS, CDG, CSA, MPEG, MPSE, SCL, VES\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e Guild Members: Members and a guest are allowed complimentary entry to any public screening of new release titles on a space-available basis, upon presentation of your membership card at the venue box office 30 minutes prior to showtime (advance reservations not available).\u003c/strong\u003e\u003c/p\u003e3e:T50b,\u003cp\u003e\u003cstrong\u003ePost-film Q\u0026amp;A with Academy Award®-nominated filmmaker Rian Johnson, moderated by Jason Reitman.\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eBenoit Blanc (Daniel Craig) returns for his most dangerous case yet in the third and darkest chapter of Rian Johnson’s murder mystery opus. Whe"])

self.__next_f.push([1,"n young priest Jud Duplenticy (Josh O’Connor) is sent to assist charismatic firebrand Monsignor Jefferson Wicks (Josh Brolin), it’s clear that all is not well in the pews. Wicks’s modest-but-devoted flock includes devout church lady Martha Delacroix (Glenn Close), circumspect groundskeeper Samson Holt (Thomas Haden Church), tightly-wound lawyer Vera Draven, Esq. (Kerry Washington), aspiring politician Cy Draven (Daryl McCormack), town doctor Nat Sharp (Jeremy Renner), best-selling author Lee Ross (Andrew Scott), and concert cellist Simone Vivane (Cailee Spaeny). After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott (Mila Kunis) to join forces with renowned detective Benoit Blanc to unravel a mystery that defies all logic. Academy Award-nominated filmmaker Rian Johnson writes and directs \u003ci\u003e\u003cstrong\u003eWake Up Dead Man: A Knives Out Mystery,\u003c/strong\u003e\u003c/i\u003e and assembles another all-star, award-winning cast.\u003c/p\u003e3f:T4ed,\u003cp\u003e\u003cstrong\u003eExtended pre-film introduction with two-time Academy Award®-nominated filmmaker Rian Johnson.\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eBenoit Blanc (Daniel Craig) returns for his most dangerous case yet in the third and darkest chapter of Rian Johnson’s murder mystery opus. When young priest Jud Duplenticy (Josh O’Connor) is sent to assist charismatic firebrand Monsignor Jefferson Wicks (Josh Brolin), it’s clear that all is not well in the pews. Wicks’s modest-but-devoted flock includes devout church lady Martha Delacroix (Glenn Close), circumspect groundskeeper Samson Holt (Thomas Haden Church), tightly-wound lawyer Vera Draven, Esq. (Kerry Washington), aspiring politician Cy Draven (Daryl McCormack), town doctor Nat Sharp (Jeremy Renner), best-selling author Lee Ross (Andrew Scott), and concert cellist Simone Vivane (Cailee Spaeny). After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott (Mila Kunis) to join forces with renowned d"])

self.__next_f.push([1,"etective Benoit Blanc to unravel a mystery that defies all logic. Academy Award-nominated filmmaker Rian Johnson writes and directs Wake Up Dead Man: A Knives Out Mystery, and assembles another all-star, award-winning cast.\u003c/p\u003e40:T516,ABOUT THE FILMS:\n“One Froggy Evening,” 1955, Dir. Charles M. Jones, 7 Mins, USA\n\nA workman finds a singing frog in the cornerstone of an old building being demolished. But when he tries to cash in on his discovery, he finds the frog will sing only for him, and just croak for the talent agent and the audience in the theater he’s spent his life savings on.\n\nFORMAT: 35mm\n\n“Perfect Day,” 1929, Dir. James Parrott, 19 Mins, USA\n\nStan, Ollie, their wives and gouty Uncle Ed are trying to go on a Sunday morning picnic, but the boys’ Model T creates many ways to prevent the excursion.\n\nFORMAT: DCP\n\n“Men O’ War,” 1929, Dir. Lewis R. Foster, 20 Mins, USA\n\nSailors on leave, Stan and Ollie enjoy a day in the park which ultimately devolves into a waterlogged melee.\n\nFORMAT: DCP\n\n“Blotto,” 1930, Dir. James Parrott, 26 Mins, USA\n\nCarefree bachelor Ollie wants buddy Stan to get away from his highly suspicious wife, Anita, for a night of revelry at the new Rainbow Club.\n\nFORMAT: DCP\n\n“Brats,” 1930, Dir. James Parrott, 21 Mins, USA\n\nMr. Laurel and Mr. Hardy spend an exasperating evening at home, trying to play games while their very young sons – who look amazingly like their dads – engage in various noisy antics.\n\nPreviously unseen and unknown silent version.\n\nFORMAT: DCP41:T6c0,\u003cp\u003e\u003cspan class=\"text-big\"\u003e\u003cstrong\u003eABOUT THE FILMS:\u003c/strong\u003e\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003e“One Froggy Evening,” 1955, Dir. Charles M. Jones, 7 Mins, USA\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eA workman finds a singing frog in the cornerstone of an old building being demolished. But when he tries to cash in on his discovery, he finds the frog will sing only for him, and just croak for the talent agent and the audience in the theater he’s spent his life savings on.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: 35mm\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c"])

self.__next_f.push([1,"/p\u003e\u003cp\u003e\u003cstrong\u003e“Perfect Day,” 1929, Dir. James Parrott, 19 Mins, USA\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eStan, Ollie, their wives and gouty Uncle Ed are trying to go on a Sunday morning picnic, but the boys’ Model T creates many ways to prevent the excursion.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e“Men O’ War,” 1929, Dir. Lewis R. Foster, 20 Mins, USA\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eSailors on leave, Stan and Ollie enjoy a day in the park which ultimately devolves into a waterlogged melee.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e“Blotto,” 1930, Dir. James Parrott, 26 Mins, USA\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eCarefree bachelor Ollie wants buddy Stan to get away from his highly suspicious wife, Anita, for a night of revelry at the new Rainbow Club.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e“Brats,” 1930, Dir. James Parrott, 21 Mins, USA\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eMr. Laurel and Mr. Hardy spend an exasperating evening at home, trying to play games while their very young sons – who look amazingly like their dads – engage in various noisy antics.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ci\u003ePreviously unseen and unknown silent version.\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFORMAT: DCP\u003c/p\u003e"])

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self.__next_f.push([1,"t. After a tender courtship, he marries Gladys (Academy Award-nominee Felicity Jones) and they build a home together, though his work often takes him far from her and their young daughter. \u0026nbsp;When his life takes an unexpected turn, Robert finds beauty, brutality and newfound meaning for the forests and trees he has felled.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eAn ode to a vanishing way of life, an ever-evolving world, and to the extraordinary possibilities that exist within even the most simple of existences, Train Dreams captures a time and place that are now long gone, and the people who built a bridge to a future they could only dream of. Directed by Academy Award-nominee Clint Bentley with a screenplay by Bentley and Academy Award-nominee Greg Kwedar, the writing team behind \u003ci\u003eSing Sing\u003c/i\u003e, the film also stars Academy Award-nominees William H. Macy and Kerry Condon.\u003cbr\u003e\u0026nbsp;\u003cbr\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eWe are pleased to invite \u003c/strong\u003e\u003ci\u003e\u003cstrong\u003eAMPAS, SAG NOM COMM, BAFTA, PGA, DGA, WGA, ACE, ADG, ASC, CAS, CDG, CSA, MPEG, MPSE, SCL, VES\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e Guild Members: Members and a guest are allowed complimentary entry to any public screening of new release titles on a space-available basis, upon presentation of your membership card at the venue box office 30 minutes prior to showtime (advance reservations not available).\u003c/strong\u003e\u003c/p\u003e4a:T463,Benoit Blanc (Daniel Craig) returns for his most dangerous case yet in the third and darkest chapter of Rian Johnson’s murder mystery opus. When young priest Jud Duplenticy (Josh O’Connor) is sent to assist charismatic firebrand Monsignor Jefferson Wicks (Josh Brolin), it’s clear that all is not well in the pews. Wicks’s modest-but-devoted flock includes devout church lady Martha Delacroix (Glenn Close), circumspect groundskeeper Samson Holt (Thomas Haden Church), tightly-wound lawyer Vera Draven, Esq. (Kerry Washington), aspiring politician Cy Draven (Daryl McCormack), town doctor Nat Sharp (Jeremy Renner), best-selling author Lee Ross (Andrew Scott), and concert cellist Si"])

self.__next_f.push([1,"mone Vivane (Cailee Spaeny). After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott (Mila Kunis) to join forces with renowned detective Benoit Blanc to unravel a mystery that defies all logic. Academy Award-nominated filmmaker Rian Johnson writes and directs WAKE UP DEAD MAN: A KNIVES OUT MYSTERY, and assembles another all-star, award-winning cast.4b:T7fd,\u003cp\u003e\u003ci\u003e\u003cstrong\u003ePost-film Q\u0026amp;A with filmmaker Rian Johnson on December 2 (moderated by Jason Reitman) at the 7PM Screening\u003c/strong\u003e\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ci\u003e\u003cstrong\u003eExtended pre-film Introduction with filmmaker Rian Johnson on December 3 at the 7 PM screening.\u003c/strong\u003e\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eBenoit Blanc (Daniel Craig) returns for his most dangerous case yet in the third and darkest chapter of Rian Johnson’s murder mystery opus. When young priest Jud Duplenticy (Josh O’Connor) is sent to assist charismatic firebrand Monsignor Jefferson Wicks (Josh Brolin), it’s clear that all is not well in the pews. Wicks’s modest-but-devoted flock includes devout church lady Martha Delacroix (Glenn Close), circumspect groundskeeper Samson Holt (Thomas Haden Church), tightly-wound lawyer Vera Draven, Esq. (Kerry Washington), aspiring politician Cy Draven (Daryl McCormack), town doctor Nat Sharp (Jeremy Renner), best-selling author Lee Ross (Andrew Scott), and concert cellist Simone Vivane (Cailee Spaeny). After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott (Mila Kunis) to join forces with renowned detective Benoit Blanc to unravel a mystery that defies all logic. Academy Award-nominated filmmaker Rian Johnson writes and directs \u003ci\u003e\u003cstrong\u003eWake Up Dead Man: A Knives Out Mystery\u003c/strong\u003e\u003c/i\u003e, and assembles another all-star, award-winning cast.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ci\u003eTicket holders will take home a limited edition, exclusive 35mm engagement mini-poster, while supplies last.\u003c/i\u003e\u003cbr\u003e\u0026nbsp;\u003cbr\u003e\u003cstrong\u003eWe are pl"])

self.__next_f.push([1,"eased to invite \u003c/strong\u003e\u003ci\u003e\u003cstrong\u003eAMPAS, SAG NOM COMM, BAFTA, PGA, DGA, WGA, ACE, ADG, ASC, CAS, CDG, CSA, MPEG, MPSE, SCL, VES\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e Guild Members: Members and a guest are allowed complimentary entry to any public screening of new release titles on a space-available basis, upon presentation of your membership card at the venue box office 30 minutes prior to showtime (advance reservations not available).\u003c/strong\u003e\u003c/p\u003e4c:T50b,\u003cp\u003e\u003cstrong\u003ePost-film Q\u0026amp;A with Academy Award®-nominated filmmaker Rian Johnson, moderated by Jason Reitman.\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eBenoit Blanc (Daniel Craig) returns for his most dangerous case yet in the third and darkest chapter of Rian Johnson’s murder mystery opus. When young priest Jud Duplenticy (Josh O’Connor) is sent to assist charismatic firebrand Monsignor Jefferson Wicks (Josh Brolin), it’s clear that all is not well in the pews. Wicks’s modest-but-devoted flock includes devout church lady Martha Delacroix (Glenn Close), circumspect groundskeeper Samson Holt (Thomas Haden Church), tightly-wound lawyer Vera Draven, Esq. (Kerry Washington), aspiring politician Cy Draven (Daryl McCormack), town doctor Nat Sharp (Jeremy Renner), best-selling author Lee Ross (Andrew Scott), and concert cellist Simone Vivane (Cailee Spaeny). After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott (Mila Kunis) to join forces with renowned detective Benoit Blanc to unravel a mystery that defies all logic. Academy Award-nominated filmmaker Rian Johnson writes and directs \u003ci\u003e\u003cstrong\u003eWake Up Dead Man: A Knives Out Mystery,\u003c/strong\u003e\u003c/i\u003e and assembles another all-star, award-winning cast.\u003c/p\u003e4d:T4ed,\u003cp\u003e\u003cstrong\u003eExtended pre-film introduction with two-time Academy Award®-nominated filmmaker Rian Johnson.\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eBenoit Blanc (Daniel Craig) returns for his most dangerous case yet in the third and darkest chapter of Rian Johnson’s murder mystery opus. When young priest Jud Duplen"])

self.__next_f.push([1,"ticy (Josh O’Connor) is sent to assist charismatic firebrand Monsignor Jefferson Wicks (Josh Brolin), it’s clear that all is not well in the pews. Wicks’s modest-but-devoted flock includes devout church lady Martha Delacroix (Glenn Close), circumspect groundskeeper Samson Holt (Thomas Haden Church), tightly-wound lawyer Vera Draven, Esq. (Kerry Washington), aspiring politician Cy Draven (Daryl McCormack), town doctor Nat Sharp (Jeremy Renner), best-selling author Lee Ross (Andrew Scott), and concert cellist Simone Vivane (Cailee Spaeny). After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott (Mila Kunis) to join forces with renowned detective Benoit Blanc to unravel a mystery that defies all logic. Academy Award-nominated filmmaker Rian Johnson writes and directs Wake Up Dead Man: A Knives Out Mystery, and assembles another all-star, award-winning cast.\u003c/p\u003e4e:T548,\u003cp\u003eOn \u003cstrong\u003eThursday, December 4\u003c/strong\u003e, we’ll conclude this year’s series with LAFCA’s 2025 Career Achievement Award recipient, \u003cstrong\u003eJohn Carpenter\u003c/strong\u003e. Carpenter will join LAFCA member and \u003ci\u003eLos Angeles Times\u003c/i\u003e film critic \u003cstrong\u003eAmy Nicholson\u003c/strong\u003e for a discussion prior to a 35mm screening of \u003ci\u003e\u003cstrong\u003eEscape from L.A.\u003c/strong\u003e\u003c/i\u003e, Carpenter’s 1996 follow-up to \u003ci\u003eEscape from New York\u003c/i\u003e, in which Kurt Russell reprises his role as Snake Plissken.\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cstrong\u003e35mm print! \u003c/strong\u003e\u003c/i\u003eThe man with the patch is back. Call him Snake. Kurt Russell rejoins filmmakers John Carpenter and Debra Hill to do to the Big Orange what they did to the Big Apple in \u003ci\u003eEscape From New York\u003c/i\u003e – with even more futuristic thrills and slam-bang action! Into the 9.6-quaked Los Angeles of 2013 comes Snake Plissken (Russell). His job: wade through L.A.'s ruined landmarks to retrieve a doomsday device. Don't miss the excitement as Snake surfs Wilshire Blvd., shoots hoops at the Coliseum, dive bombs the Happy Kingdom theme park, and mixes it up with a"])

self.__next_f.push([1," wild assortment of friends, fiends and foes (Stacy Keach, Steve Buscemi, Peter Fonda, George Corraface, Cliff Robertson, Pam Grier and more). \u003ci\u003e\u003cstrong\u003eEscape From L.A.\u003c/strong\u003e\u003c/i\u003e is a 'go-for-broke action extravaganza!' (Roger Ebert, \u003ci\u003eChicago Sun-Times\u003c/i\u003e).\u003c/p\u003e4f:T548,\u003cp\u003eOn \u003cstrong\u003eThursday, December 4\u003c/strong\u003e, we’ll conclude this year’s series with LAFCA’s 2025 Career Achievement Award recipient, \u003cstrong\u003eJohn Carpenter\u003c/strong\u003e. Carpenter will join LAFCA member and \u003ci\u003eLos Angeles Times\u003c/i\u003e film critic \u003cstrong\u003eAmy Nicholson\u003c/strong\u003e for a discussion prior to a 35mm screening of \u003ci\u003e\u003cstrong\u003eEscape from L.A.\u003c/strong\u003e\u003c/i\u003e, Carpenter’s 1996 follow-up to \u003ci\u003eEscape from New York\u003c/i\u003e, in which Kurt Russell reprises his role as Snake Plissken.\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cstrong\u003e35mm print! \u003c/strong\u003e\u003c/i\u003eThe man with the patch is back. Call him Snake. Kurt Russell rejoins filmmakers John Carpenter and Debra Hill to do to the Big Orange what they did to the Big Apple in \u003ci\u003eEscape From New York\u003c/i\u003e – with even more futuristic thrills and slam-bang action! Into the 9.6-quaked Los Angeles of 2013 comes Snake Plissken (Russell). His job: wade through L.A.'s ruined landmarks to retrieve a doomsday device. Don't miss the excitement as Snake surfs Wilshire Blvd., shoots hoops at the Coliseum, dive bombs the Happy Kingdom theme park, and mixes it up with a wild assortment of friends, fiends and foes (Stacy Keach, Steve Buscemi, Peter Fonda, George Corraface, Cliff Robertson, Pam Grier and more). \u003ci\u003e\u003cstrong\u003eEscape From L.A.\u003c/strong\u003e\u003c/i\u003e is a 'go-for-broke action extravaganza!' (Roger Ebert, \u003ci\u003eChicago Sun-Times\u003c/i\u003e).\u003c/p\u003e50:T463,Benoit Blanc (Daniel Craig) returns for his most dangerous case yet in the third and darkest chapter of Rian Johnson’s murder mystery opus. When young priest Jud Duplenticy (Josh O’Connor) is sent to assist charismatic firebrand Monsignor Jefferson Wicks (Josh Brolin), it’s clear that all is not well in the pews. Wicks’s modest-but-devoted flock includes devout church lady Martha Delacroix (Glenn Clo"])

self.__next_f.push([1,"se), circumspect groundskeeper Samson Holt (Thomas Haden Church), tightly-wound lawyer Vera Draven, Esq. (Kerry Washington), aspiring politician Cy Draven (Daryl McCormack), town doctor Nat Sharp (Jeremy Renner), best-selling author Lee Ross (Andrew Scott), and concert cellist Simone Vivane (Cailee Spaeny). After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott (Mila Kunis) to join forces with renowned detective Benoit Blanc to unravel a mystery that defies all logic. Academy Award-nominated filmmaker Rian Johnson writes and directs WAKE UP DEAD MAN: A KNIVES OUT MYSTERY, and assembles another all-star, award-winning cast.51:T7fd,\u003cp\u003e\u003ci\u003e\u003cstrong\u003ePost-film Q\u0026amp;A with filmmaker Rian Johnson on December 2 (moderated by Jason Reitman) at the 7PM Screening\u003c/strong\u003e\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ci\u003e\u003cstrong\u003eExtended pre-film Introduction with filmmaker Rian Johnson on December 3 at the 7 PM screening.\u003c/strong\u003e\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eBenoit Blanc (Daniel Craig) returns for his most dangerous case yet in the third and darkest chapter of Rian Johnson’s murder mystery opus. When young priest Jud Duplenticy (Josh O’Connor) is sent to assist charismatic firebrand Monsignor Jefferson Wicks (Josh Brolin), it’s clear that all is not well in the pews. Wicks’s modest-but-devoted flock includes devout church lady Martha Delacroix (Glenn Close), circumspect groundskeeper Samson Holt (Thomas Haden Church), tightly-wound lawyer Vera Draven, Esq. (Kerry Washington), aspiring politician Cy Draven (Daryl McCormack), town doctor Nat Sharp (Jeremy Renner), best-selling author Lee Ross (Andrew Scott), and concert cellist Simone Vivane (Cailee Spaeny). After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott (Mila Kunis) to join forces with renowned detective Benoit Blanc to unravel a mystery that defies all logic. Academy Award-nominated filmmaker Rian Johnson writes and directs \u003c"])

self.__next_f.push([1,"i\u003e\u003cstrong\u003eWake Up Dead Man: A Knives Out Mystery\u003c/strong\u003e\u003c/i\u003e, and assembles another all-star, award-winning cast.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ci\u003eTicket holders will take home a limited edition, exclusive 35mm engagement mini-poster, while supplies last.\u003c/i\u003e\u003cbr\u003e\u0026nbsp;\u003cbr\u003e\u003cstrong\u003eWe are pleased to invite \u003c/strong\u003e\u003ci\u003e\u003cstrong\u003eAMPAS, SAG NOM COMM, BAFTA, PGA, DGA, WGA, ACE, ADG, ASC, CAS, CDG, CSA, MPEG, MPSE, SCL, VES\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e Guild Members: Members and a guest are allowed complimentary entry to any public screening of new release titles on a space-available basis, upon presentation of your membership card at the venue box office 30 minutes prior to showtime (advance reservations not available).\u003c/strong\u003e\u003c/p\u003e52:T50b,\u003cp\u003e\u003cstrong\u003ePost-film Q\u0026amp;A with Academy Award®-nominated filmmaker Rian Johnson, moderated by Jason Reitman.\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eBenoit Blanc (Daniel Craig) returns for his most dangerous case yet in the third and darkest chapter of Rian Johnson’s murder mystery opus. When young priest Jud Duplenticy (Josh O’Connor) is sent to assist charismatic firebrand Monsignor Jefferson Wicks (Josh Brolin), it’s clear that all is not well in the pews. Wicks’s modest-but-devoted flock includes devout church lady Martha Delacroix (Glenn Close), circumspect groundskeeper Samson Holt (Thomas Haden Church), tightly-wound lawyer Vera Draven, Esq. (Kerry Washington), aspiring politician Cy Draven (Daryl McCormack), town doctor Nat Sharp (Jeremy Renner), best-selling author Lee Ross (Andrew Scott), and concert cellist Simone Vivane (Cailee Spaeny). After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott (Mila Kunis) to join forces with renowned detective Benoit Blanc to unravel a mystery that defies all logic. Academy Award-nominated filmmaker Rian Johnson writes and directs \u003ci\u003e\u003cstrong\u003eWake Up Dead Man: A Knives Out Mystery,\u003c/strong\u003e\u003c/i\u003e and assembles another all-star, award-winning cast.\u003c/p\u003e53:T4ed,\u003cp\u003e\u003cstrong\u003eExtended pre-"])

self.__next_f.push([1,"film introduction with two-time Academy Award®-nominated filmmaker Rian Johnson.\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eBenoit Blanc (Daniel Craig) returns for his most dangerous case yet in the third and darkest chapter of Rian Johnson’s murder mystery opus. When young priest Jud Duplenticy (Josh O’Connor) is sent to assist charismatic firebrand Monsignor Jefferson Wicks (Josh Brolin), it’s clear that all is not well in the pews. Wicks’s modest-but-devoted flock includes devout church lady Martha Delacroix (Glenn Close), circumspect groundskeeper Samson Holt (Thomas Haden Church), tightly-wound lawyer Vera Draven, Esq. (Kerry Washington), aspiring politician Cy Draven (Daryl McCormack), town doctor Nat Sharp (Jeremy Renner), best-selling author Lee Ross (Andrew Scott), and concert cellist Simone Vivane (Cailee Spaeny). After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott (Mila Kunis) to join forces with renowned detective Benoit Blanc to unravel a mystery that defies all logic. Academy Award-nominated filmmaker Rian Johnson writes and directs Wake Up Dead Man: A Knives Out Mystery, and assembles another all-star, award-winning cast.\u003c/p\u003e54:T516,ABOUT THE FILMS:\n“One Froggy Evening,” 1955, Dir. Charles M. Jones, 7 Mins, USA\n\nA workman finds a singing frog in the cornerstone of an old building being demolished. But when he tries to cash in on his discovery, he finds the frog will sing only for him, and just croak for the talent agent and the audience in the theater he’s spent his life savings on.\n\nFORMAT: 35mm\n\n“Perfect Day,” 1929, Dir. James Parrott, 19 Mins, USA\n\nStan, Ollie, their wives and gouty Uncle Ed are trying to go on a Sunday morning picnic, but the boys’ Model T creates many ways to prevent the excursion.\n\nFORMAT: DCP\n\n“Men O’ War,” 1929, Dir. Lewis R. Foster, 20 Mins, USA\n\nSailors on leave, Stan and Ollie enjoy a day in the park which ultimately devolves into a waterlogged melee.\n\nFORMAT: DCP\n\n“Blotto,"])

Requests	IP Address	Location	AS Autonomous System
71	104.26.9.238	Unknown	Unknown
25	20.118.48.16	Unknown	Unknown
10	104.18.87.42	Unknown	Unknown
8	104.26.8.238	Unknown	Unknown
5	104.18.32.137	Unknown	Unknown
5	172.67.75.212	Unknown	Unknown
5	104.18.86.42	Unknown	Unknown
5	162.159.153.246	Unknown	Unknown
5	2001:4860:4802:34::36	Unknown	Unknown
5	2a06:98c1:310d::ac40:9b77	Unknown	Unknown
128	25	-	-

Security Scan Report: www.egyptiantheatre.com

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